EL DIABLO Y LA TIERRA

May 3

(Source: settripnorthside)

#2 , collagraph 22x30 inches
Apr 27

#2 , collagraph 22x30 inches

New collagraph, three color roll up, i hope to scan for better quality after it dries!
Apr 27

New collagraph, three color roll up, i hope to scan for better quality after it dries!

www.cargocollective.com/lewisgalli Check out my page in progress!

Apr 23
Cargo
First layer straight off the press(duh)
Stay tuned.
Apr 15

First layer straight off the press(duh)
Stay tuned.

18x24”.
Apr 14

18x24”.

Mark Borthwick is responsible for my desire to buy a film camera. 
Apr 2

Mark Borthwick is responsible for my desire to buy a film camera. 

sfmoma:

Happy Birthday to Josef Albers!

From 1949 until his death in 1976, Josef Albers created a series of paintings titled Homage to the Square. These works explore the artist’s endless fascination with the discrepancy between how colors look when seen one at a time and how they appear in different combinations. In his writings on color theory, Albers noted that the way we experience color varies based on our individual personalities and on factors such as hue, dimension, and placement.
Albers chose the square for its neutrality: he felt that such a common shape would not distract viewers from their experience of color. To create a “pure” experience, he applied his pigments directly from the tubes in which they came, spreading them in thin layers onto the surface of the canvas.

(via SFMOMA)

Happy birthday josef albers!
Mar 19

sfmoma:

Happy Birthday to Josef Albers!

From 1949 until his death in 1976, Josef Albers created a series of paintings titled Homage to the Square. These works explore the artist’s endless fascination with the discrepancy between how colors look when seen one at a time and how they appear in different combinations. In his writings on color theory, Albers noted that the way we experience color varies based on our individual personalities and on factors such as hue, dimension, and placement.

Albers chose the square for its neutrality: he felt that such a common shape would not distract viewers from their experience of color. To create a “pure” experience, he applied his pigments directly from the tubes in which they came, spreading them in thin layers onto the surface of the canvas.

(via SFMOMA)

Happy birthday josef albers!

kylekogut:

Print Exchange
My contribution to my Color Print Workshop class’ Print Exchange. The theme was “Free” and encouraged us to use found objects, so I printed on pages of an old book that was falling apart. 19 prints, each edition unique.

Rad picture choices and printed image by Kyle Kogut, shya represent. 
Mar 8

kylekogut:

Print Exchange


My contribution to my Color Print Workshop class’ Print Exchange. The theme was “Free” and encouraged us to use found objects, so I printed on pages of an old book that was falling apart. 19 prints, each edition unique.

Rad picture choices and printed image by Kyle Kogut, shya represent. 

Mar 6

Finished product, ‘Strippers’ as of today, giving you all some detail if you don’t get a chance to see it in person. 


briefly, i wanted to convey a bonding between modular man made sound through mark making and natural development of sound through Earth’s everyday cycle, which is accomplished with what grains of wood come through behind our busy musings. 

sfmoma:


Each of the more than forty of Bradford’s works now on view at SFMOMA calls out to be felt, if not by the hand of the viewer then by the eye. They elicit a state of tactile vision, a reminder that visual perception is also connected to the faculty of touch.

Read more on DAILY SERVING

Amazing, thanks @sfmoma
Mar 6

sfmoma:

Each of the more than forty of Bradford’s works now on view at SFMOMA calls out to be felt, if not by the hand of the viewer then by the eye. They elicit a state of tactile vision, a reminder that visual perception is also connected to the faculty of touch.

Read more on DAILY SERVING

Amazing, thanks @sfmoma

Sometimes the things we cut out are the most beautiful. Its only after they’re alone against the void we forgot, that we see them apart and in their splendor.
Mar 5

Sometimes the things we cut out are the most beautiful. Its only after they’re alone against the void we forgot, that we see them apart and in their splendor.

eitchmusic:

Dream House  (Taken with instagram)

Audible and visual stimulation provided by Eitch, talented musician, follow her!
Mar 3

eitchmusic:

Dream House (Taken with instagram)

Audible and visual stimulation provided by Eitch, talented musician, follow her!

“Strippers” more progress. 
Merely a commentary on the perception of noise in a soundscape.
2’ x 4’ on arches.
Mar 1

“Strippers” more progress.
Merely a commentary on the perception of noise in a soundscape.
2’ x 4’ on arches.